What we watch shapes how we watch

Data released by Twitter recently has shown how the type of content we are watching can impact our second screen social media activity. For example, if people are watching a gripping drama like Homeland, they are far less likely to tweet at the same time. On the flip side, if it’s a light entertainment show like X Factor, people will consistently tweet throughout the show with peaks in Twitter activity directly linked to specific contestant performances. Meanwhile investigative shows like Panorama stimulate prolonged Twitter activity with viewers discussing it during the show but also after it has finished.

The report is targeted at advertisers however it also contains valuable information for the wider TV industry; consumers no longer just passively watch TV, Twitter adds a new dimension to the viewing experience. We are likely to see more TV shows actively encouraging viewers to go online whilst the show is on.

Broadcasters already trail hashtags before shows, but this is just the start. They are now using Twitter to evaluate the performance of shows, and it will be fascinating to see how this data is used and impacts programming and additional, associated content in the future.

Second screening becomes big business

24% of people are using second screens whilst watching TV, and almost half of all 16-24 years olds use social networks such as Facebook and Twitter to discuss what they’re watching, according to new stats in Deloitte’s new report.

Viewers are interacting directly with the programmes they’re watching, but they’re also increasingly talking about the content within the programme with their friends on social media networks. There is a real opportunity here from those broadcasters and advertisers that react quickly to this growing trend. Advertising specialist YuMe, has stated there is a window of opportunity for them to pitch their wares to a growing connected TV audience, as for now they will interact with the ads out of a simple curiosity.

To make of the most of this, advertisers should therefore be leading the way for consumers, providing interesting and personalised content so that when they do go online using their connected TV, they have something compelling to interact with.

There’s also a huge opportunity for manufacturers to get involved here, and we are seeing a growing number of companion apps becoming available that consumers can use to interact with their favourite TV shows. Integrating social media networks into the viewing experience for example, means viewers can be more engaged with their favourite TV shows, following the relevant hashtags on Twitter and discussing with friends online. 

These latest stats show viewers are becoming more accustomed to using second screens and interacting directly with the programmes that they’re watching. So faced with a more switched-on connected TV audience, the onus is firmly on the TV industry to create a converged first and second screen experience so compelling that it could potentially have more impact than a single screen experience.